The opening graphics for Marvel’s TV series Daredevil are fascinating, offering an unusual and even gruesome conceptual view of how the world “appears” to our hero.
Included in the sequence is a rendition of Lady Justice, blindfolded as she usually is. It’s a visual joke on the idea that our hero is blind and dispenses vigilante justice on the streets of New York City — Hell’s Kitchen in particular. Marvel is unafraid of moral ambiguity in recent shows and has presented some troubling grey areas expertly. I think they make a mistake in presenting violence as the solution, but that they’re offering moral questions as a significant part of several story arcs is a step in the right direction. The Daredevil adamantly refuses to kill, and just as adamantly refuses to let go of the possibility that even the most hardened criminals are beyond redemption.
It got me to thinking beyond the visual joke to the general condition of Lady Justice in modern times. Continue reading